The Music Cognition Group (MCG) is part of the Department of Musicology, the Institute for Logic, Language and Computation (ILLC), and Amsterdam Brain and Cognition (ABC) of the University of Amsterdam (UvA) and is housed at LAB42, Science Park Amsterdam.
Our research offers interdisciplinary perspectives on the capacity to perceive, make, and appreciate music (‘musicality’ for short). It asks what music is for and why every human culture has it, whether musicality is a uniquely human capacity, and what biological and cognitive mechanisms underlie it.
The current research program aims to identify the basic mechanisms that constitute the cognitive and biological basis of musicality, as well as developing theoretical, computational and empirical methods for analyzing various musicality phenotypes.
Meet our researchersResearch agendaMedia attentionWe are all born with a predisposition for music, a predisposition that develops spontaneously and is refined by listening to music. Nearly everyone possesses the musical skills essential to experiencing and appreciating music. Think of “relative pitch,” recognizing a melody separately from the exact pitch or tempo at which it is sung, and “beat perception,” hearing regularity in a varying rhythm. Even human newborns turn out to be sensitive to intonation or melody, rhythm, and the dynamics of the sounds in their surroundings. Everything suggests that human biology is already primed for music at birth with respect to both the perception and enjoyment of listening.
Human musicality is clearly special; Musicality being a set of natural, spontaneously developing traits based on, and constrained by, our cognitive abilities (attention, memory, expectation) and our biological predisposition. But what makes it special? Is it because we appear to be the only animals with such a vast musical repertoire? Is our musical predisposition unique, like our linguistic ability? Or is musicality something with a long evolutionary history that we share with other animals? (Honing, 2019).
From 7 December 2024 online at ARTE: The Music Animal (2022, CBC) featuring profs. Henkjan Honing, Yuko Hattori, Ani Patel and others. | "Musik ist ein Rätsel der Evolution. Menschen singen, tanzen, fühlen den Beat. Diese Fähigkeit, Musik wahrzunehmen, zu genießen und selbst zu produzieren, nennt man Musikalität. Doch ist der Homo sapiens die einzige musikalische Spezies? Die Dokumentation gibt Einblicke in die bisherige Erforschung von Musikalität und Rhythmus in Natur und Tierwelt auf der Suche nach ihren Ursprüngen."
Are you looking for a postdoctoral position where you can combine insights from music cognition with biology and cognitive science? If you are excited about doing this kind of research in an interdisciplinary environment, with a team of smart and friendly colleagues, then you may want to join us.
On 19th November, the composer, performer and music theorist Rakhat-Bi Abdyssagin from Kazakhstan will visit the ILLC to explore contacts with our community.
During his visit, he will also give a talk titled "Quantum Music and Logic of Sound and Silence" discussing the connections between contemporary mathematics, logic, and philosophy with modern avant-garde music.
Henkjan Honing, Professor of Music Cognition at the University of Amsterdam, has been awarded the prestigious Lifetime Achievement Award by the Society for Music Perception and Cognition (SMPC). The accolade was presented during the SMPC conference in Banff, Canada, on July 27, 2024, in recognition of his pioneering contributions to the field of music perception and cognition.
Latest posts from Henkjan Honing’s blog Music Matters