Overview MSc project W. Bas de Haas | |
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Haas, W. Bas de (2007, June) The Role of Tempo in Groove and Swing Timing | |
Abstract In music the notion of expressive timing, i.e., deliberately playing behind or before the beat, is very common. The question how expressive timing relates to tempo has been subject to research for quite a while. However, the effect of tempo on timing in jazz and pop performance was only scarcely investigated. This thesis investigates the relation between tempo and expressive timing in groove and swing drumming by analyzing the timing of three well-known professional drummers. Furthermore a model is presented that tries to capture this effect of tempo on expressive timing. ![]() To model the relation between timing and tempo a knowledge representation is used that separates tempo and expressive timing as different aspects of musical time. The relation between timing and tempo is represented by three swing ratio models which are optimized to fit the newly acquired data. |
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Excerpts | |
The participating drummers were asked to play the following excerpts.
Some audio examples of the recordings are presented underneath the
score. Additionally, quantized versions of the score with a 2:1 and a
1:1 swing ratio are presented as well to highlight the differences in
timing.![]() An audio example of the swing excerpt quantized with a 1:1 swing ratio (mp3), a 2:1 swing ratio (mp3) and a human performance (mp3). ![]() An audio example of the shuffle excerpt quantized with a 1:1 swing ratio (mp3), a 2:1 swing ratio (mp3) and a human performance (mp3). ![]() An audio example of the funk excerpt quantized with a 1:1 swing ratio (mp3) and a human performance (mp3). |
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Data | |
The collected data is freely available* as comma separated values text
files: Swing ride data (csv) Shuffle hi-hat data (csv) Funk hi-hat data (csv) The data of other drums and cymbals is available on request. Please send an e-mail to bas.dehaas (at) cs.uu.nl. |
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Code | |
The Common Lisp source code of the knowledge representation described in Bas' Thesis is also freely available.* The GTF microworld (00 GTF.lisp) is based on a version of the GTF microworld in (Honing, 1995). The generalized timing functions framework (01 TFF.lisp) is based on (Honing, 2001). N.B. this software is provided "as is" and comes without warranty. | |
References | |
Haas, W.B. de, &
Honing, H. (2007). Groove, swing and the role of tempo: A model
and some preliminary empirical evidence. Proceedings of the
Society for Music Perception and Cognition (SMPC) Honing, H. (1995). The vibrato problem, comparing two solutions. Computer Music Journal, 19(3) 32-49. Honing, H. (2001). From time to time: The representation of timing and tempo. Computer Music Journal, 35(3), 50-61. * Free use only for research on condition a reference to one of the publications above and a text like "...data was made available by the Music Cognition Group and can be downloaded from https://www.mcg.uva.nl/haas/" is included. Re-distribution is not allowed. |
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www.mcg.uva.nl |